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Archive for the ‘Tactics/ Concepts’ Category

Hau-bo

21 Jan

Never Withdraw?

This is one that you will hear quite often:

In Wing Chun, we never retreat. We always go forward, and if we can’t, we step sideways to take advantage of the incoming attack. But under no circumstances should you ever go backwards or retreat.

Every time I hear someone say that, I wonder how much of the system they have actually trained. Have they ever worked against someone not in their own lineage? Have they ever fought someone in a completely different martial art?

I wonder this because even though many practitioners say it, their own system is showing them the exact opposite. Case in point, Hau-bo.

From the very beginning, a practitioner is shown how to set up their stance in order to assume the Yee-chi-kim-yeung-ma position. From here, they are taught to Huen-bo, or Forward Circling-step. This is our first step in footwork on getting from point A to point B. You cannot fight by being a stationary target, right? There has to be some lower body action.

With Huen-bo, we continue to Juen-ma, or Frontal-stance/Lead-leg stance. Now you have a choice: to return to Yee-chi-kim-yeung-ma, you either have to Huen-bo with the other leg, or you return the lead-leg back to its starting point. If you choose the latter, it is not just a sublime action; instead, it is Hau-bo.

Hau-bo, or Backward Circling-step/Withdrawing-step, is vital to efficient footwork. You need competent footwork in all directions – forward, sideways, and moving backwards. Without it, what do you do when you encounter a skillful fighter that is driving in on you and you cannot side-step?

Yes, tactics state that we engage with a number of responses, but when it becomes purely force vs force, what then?

If your attacker is more powerful and you cannot go forward (because he is driving fully into you), you naturally want to give way to that force and side-step. When you work with exceptional fighters of other methods, though, you will find that this is not as easy as you think (or as easy as your Si-Fu is telling you).

It is not an easy thing to merely side-step a skilled fighter. He/she is prepared for any angle in relation to your reaction, and in most cases, you are getting set up for a follow up attack. Driving you sideways is exactly what they want because before you know it, you are getting dropped with a shin to the side of your knee.

Tactically, when force is driving you backwards and you cannot move sideways, simply “go with the flow” and Hau-bo in order to remain in fist-fighting range. Many will forget that Wing Chun being primarily a fist-fighting method means that the majority of our tactics work to either move us into that range or respond for reacquiring that range should we be driven to a different range.

Hau-bo is simply another option to keep us in fist-fighting range, so yes, it is vital to competent footwork. Those stating that they never step backwards probably do not train the wooden dummy then, either, because Hau-bo is how you move from a lead-leg position at the side back to the front. Some might still say no, but then how do they get back to the front?

Competent footwork requires step training in all directions, and learning to withdraw is included. Hau-bo simply re-positions us according to force, and without that, your body and footwork is severely limited.

 

 

Which Art Is The Best?

23 Sep

My Art Can Beat Your Art

It has been a while since I have trolled the various forums I used to visit, so I decided to take a look today and see what has been happening. Sadly, not much has changed (which, besides not having a lot of spare time, is one of the reasons I stopped visiting them). Sometimes reading through the topics and debates just plain gets you depressed.

Why are so many people still vehement about lineage? Who cares where something comes from, as long as it works? Does it really matter if something is “pure”, “original”, “modified”, etc? It would be one thing is something worked and then because of a change, it no longer worked. But the changes we have seen over the generations do work, and in many cases, they are improved.

When it comes right down to it, no one is doing “pure” or “original” Wing Chun unless all you are doing is Siu-Nim-Tau, a bit of Chi-sau, and the knives. That is the origination of Wing Chun as related through records from Dr. Leung Jan, so if you are doing anything beyond that, then you, too, are doing “modified” Wing Chun.

All I care about is if it works in real life. My attacker will not care who my Si-fu is or what my lineage is when he is sticking a knife at my throat. It is just really sad that these silly debates still go on.

What is almost as bad is another one concerning what art is the best. I have seen a lot of debates from non-Wing Chun practitioners who continuously state that what they do is the best way, the more efficient way, the modern way, etc. I have been hearing this for over 30 years and I am sure it has been going on for generations before that.

Your art has no ground fighting!

Yes it does, but we do everything we can to stay on our feet.

Your demos of takedowns are so unrealistic that it’s laughable!

Sadly I had to agree with that one because after seeing the video they referred to, it really was a bit too over the top. However, that is why they are called demonstrations and not sparring. Besides, laughing is good for you, so at least you still got something out of it, right? ;)

Have any of you people ever had a real fight?

For many of us, the answer to that question is yes, which is why we still train this art which has kept us safe. Since opening the AWCA in 1993, I have had over 20 challenge fights. I am still here, still training and still a stringent believer in the effectiveness and efficiency of Wing Chun. I do not like fighting, but I know for a fact that the skill set is there and that it works.

Ppphhfft. You people stink. Let’s see where you are when you’re in your 70′s and have to fight some punk. I’ll take such-and-such art any day over Wing Chun.”

Actually, that is another reason we train Wing Chun. Take a very good look at many art’s masters and what do you see? Irreparable damage to fists, elbows, knees and shins, some to the point that they cannot hold a cup anymore and others who cannot walk unassisted.

Now, look at Wing Chun masters in their 70′s, 80′s and 90′s, and what do you see? Besides being older, they are still upright. They can still make a fist and drive it through a wall. They do not need assistance just to walk.

Let’s see where you are in your 70′s? The odds are in my favor that not only will my chosen art keep me fit without damaging my body, but it will still enable me to remain safe vs. the acrobatics or primarily ground fighting/grappling that popular arts see today. My art does not require youth or extreme fitness to work. I am an average guy with a normal lifestyle rather than a 20 year old bent to make a name for myself in MMA tournaments.

I guess some things will never change, though. As we have seen through the decades, these negative opinions will always be around. Rather than everyone simply acknowledging that all arts have their place in one way or another, you will always see others putting someone else down because they do something differently.

For those that read all of the comments on a forum and it gets to you? My advice is to do what I did: Stop going there. It does not serve a purpose unless you are lucky enough to find one that actually respects others and their preferred methods. They might not agree with what you say, but they do have the courtesy and maturity to discuss it in a civil manner without being immature or rude. When you find someone who makes you question yourself, it can open a lot of doors for you if you approach it with the correct mind set.

The sad part with people who like to bash others is that they also have no clue how much disrespect they demonstrate to their own teacher, their heritage, and even their school. What instructor in his/her right mind would condone one of their students showing such utter disrespect to another person? It is a clear sign of immaturity and one that you should stay away from.

Maybe someday the martial circles will mature to a point that they can agree to disagree, and leave it at that without all of the name calling, disrespect, and everything else we read on forums. Admittedly I do not have my hopes up, but then again, this is when I remember the late Senator Ted Kennedy giving the eulogy at his brother Robert’s funeral. He quoted his brother saying:

Some men see things as they are and ask ‘why’.
I dream things that never were and ask ‘why not’.

 

Maybe someday.

 

The Centerline Concept

24 Jun

What is the Centerline?

One of the questions I am asked most often is “The lineage I am currently studying says that we have multiple centerlines, but you say that there is only one. Which is right?

There are two main schools of thought when it comes to this concept. I have trained with enough practitioners in many lineages over the years that prescribe to both concepts, and have heard a variety of explanations. Let’s take a look at that and see if we cannot make some sense of it.

Viewpoint #1: There Are Multiple Centerlines

Those that train with this concept work the viewpoint that your body has three main sections: the head, the trunk, and the lower body. Some train with even more sections of the body broken down, but on the whole, these three are the main elements.

Each of these sections have a central point, which is called the centerline. With this in mind, the section itself is trained so that attack and defense is driven from this line.

Viewpoint #2: You Have Only One Centerline

Those that train with this concept work the viewpoint that rather than multiple centerlines, the primary weapon of Wing Chun (the hands) is where the scope of training lies. In that case, the upper body is the only location of the centerline, and the centerline itself originates at the sternum. There is only one centerline in this concept of training.

The difference with viewpoint #2 is that it is a more basic concept than how others view it. Using the Compass Man theory (more on that in another article), we learn that we can maintain equal use of both arms as long as we keep our centerline on the attacker. Turning to the side might be good in specific instances, but on the whole, we always want to keep our centerline on the attacker so that we can respond with either side as needed.

Centerline vs Vertical Midline

On the outside, the difference in these concepts are extreme. At its core, though, there are still more similarities than differences. Yes, the concepts are trained a bit differently, but the real difference lies more in terminology.

Those that train as having multiple centerlines are actually training along what the other viewpoint terms as being the vertical midline. The vertical midline is just what it sounds like: a line running vertically down the body. This vertical midline separates the right and left halves of the body, and is very useful for analyzing different attack scenarios.

For example, let’s say we are working to respond against a typical jab/hook/knee-to-the-thigh attack. The attack is initiated from the left, so it would left jab, right hook, right knee.

As mentioned previously, the centerline concept teaches us that as long as we keep the centerline on the attacker, we have equal use of both arms. Pretty simple so far, right? By contrast, the vertical midline lets us see what body part would be the most effective and efficient for a given attack.

In this example, we know a left jab would have multiple effective responses such as Pak-sau, Tan-sau, Kuen-siu-kuen, etc. But it does not end there. The vertical midline tells us what side of the body would be most effective (which in the case of Pak-sau, the Kuen Kuit tells us that Noi-moon Pak-sau, or Indoor-area Slap-hand, is a dangerous tactic).

From this first response, we immediately see that if we are in left Man-sau, a left jab should not be responded to with Noi-moon Pak-sau. Instead, the rear hand (our right) would be more suitable since it also includes tactics of exploding forward and initiating simultaneous attack. In many cases the follow up actions of the opponent do not even happen because of this explosion tactic. If they do, however, the vertical midline tells us which further actions are more responsive and safest to use.

Our analysis continues this way through the remainder of the attack drill until we examine a variety of responses for each side until we determine what is easiest, safest, faster, and more efficient. This is how drills are created based on the form and in relation to today’s more common scenarios, so a plethora of drills and applications can be produced that properly respond to any given situation.

This occurs from first understanding what your centerline is all about, how to use it for producing the fastest and most economical actions, and relating that to a real-world environment. Nothing flashy, showy or dangerous; rather, real-world, intensive, and taking into account today’s fighting environments.

Conclusion

In the end, both views of what is the centerline have their place. For me personally, I subscribe to the latter view because it has always made more sense to me. It is easier to envision and work, which in turn has served me well in real fights. That is not to say, however, that practitioners subscribing to the former view cannot use their preferred concept. It is just a different approach to the same end result.

In the end, whichever concept your school works, go for it. Learn everything you can about it and work it to the extremes. And if you get the chance to work with someone that trains in the other view, definitely take advantage of it. Never avoid something just because it is different from how you view it. All that does is close you off. Instead, embrace it and see what it is about. You will gain a better vision of what your Wing Chun family is all about.